Meg is a Korean intercountry adoptee, raised in Australia and a comic artist. She makes largely autobiographical and non-fiction work that has appeared in The Nib, The Lily, Liminal Magazine, The Comics Journal and anthologies including Comic Sans,Steady Diet, Threads That Connect Us and the Eisner award-winning Drawing Power: Women’s Stories of Sexual Violence, Harassment and Survival. She has exhibited comic, animation and film work internationally, taught comic making to university students, developed and delivered comics programs to high school-aged students from migrant and refugee backgrounds with STARTTS, and art programs to elementary-aged students in Korea. Meg is currently working on a long-form work based on her experiences as the Asian child of white parents in Australia, a recent period of living in Korea, and a failed search for her Korean mother.
She created the artwork for our K-Box Adoptee Takeover Night promotional material and ZINE:
Meg also presented as one of our adoptee artists and you can watch the video of her presentation here:
Ebony is an Haitian born intercountry adoptee raised into Australia. She is a talented artist whose body of work speaks to the complex issues we live as intercountry adoptees and exploring our identity.
As an Australian contemporary artist with an interest in interrogating concepts of individuality, adoption, sexuality, queerness and black identity. Ebony draws on her life experience to inform the creation of her drawings and expressive sculptural forms, employing a diverse assortment of materials to compose her work. Performance is also an important element of her creative practice. In 2000, Ebony created the drag personality Koko Mass. Koko loves to perform songs with soul and is a bit of a badass who always speaks up and is honest about issues they face in society. Koko challenges perceptions head on whilst also having fun with their audience. Ebony’s practice is bold and politically engaged, responding to issues that affect her communities with a strong visual language she continues to explore. Ebony completed her Masters of Contemporary Art at Victorian College of the Arts, Melbourne in 2020.
Ebony contributed this piece of artwork for our ZINE which was a printed out magazine celebrating Australia’s intercountry and transracial adoptee artists, for people to take home.
She is also participating with a group of Australian First Nations adoptees on the 7 Oct at Melbourne University in an exhibition titled – Adopted.
Ebony’s artist statement about this video:
Divine Make-up, 2019
Divine make-up is an example of my drawings coming to life, putting myself within the frame, showing how I draw and then pairing that with my spoken word performance. Drawing is an important part of my practice; I respect the simple form of paper and textas.
I like the immediacy of drawing; I feel my drawings can be spontaneous and I like to free draw. When I draw, I don’t plan the outcome, I start and see where it takes me, I let the marks guide my direction. My work, as Ebony, is personal and honest. My drawings are a mix of feelings, experiences and specific moments in my life. This videos shows the ideas I have explored recently, coming together to fill the space with my black self.
On Friday 9 September, I co-hosted with Ra Chapman (Korean intercountry adoptee and playwright) an adoptee artist event in Melbourne, Victoria at the Malthouse Theatre. This event followed the performance of Ra’s incredible comedy play, K-Box which is the story of Lucy (a Korean intercountry adoptee) who is a 30+ year old Korean adoptee who brings some humour and hard truths to the dinner table.
Following the play, we had some of our talented intercountry adoptee artists present a small 10 minute segment on their artwork.
The next few blogs will bring to you a couple of these adoptee artists in their presentations, followed by some of the artwork we captured for the ZINE, a small magazine showcasing their artwork as a take home memento from our evening.
For me, the highlight of the evening was a reading by a Korean adoptee who is an academic, a writer, and co-host of podcast Adopted Feels, Ryan Gustafsson. Ryan is a writer, researcher, and podcaster. Their most recent publication is ‘Whole Bodies,’ which appears in Liminal’s anthology Against Disappearance: Essays on Memory (Pantera Press, 2022). Ryan is also co-facilitator of the Korean Adoptee Adoption Research Network (KAARN).
Ryan’s presentation was powerful, eloquent, and poignant and presented with such raw honesty, it resonated within my soul as I could relate to so much of what they shared about how we can feel about our first mother.
Have a listen to Ryan’s reading from an excerpt of their writing titled – We met each other with different names.
by Kayla Curtis, Korean adoptee raised in Australia, social worker and counsellor specialising in adoption.
I want to share some reflections from going along to the K-Box Adoptee Takeover Night at the Malthouse and seeing Ra Chapman’s K-Box play in Melbourne, Australia on 9 September.
Personally, I am feeling an excitement from seeing K-Box because it captured so much of my personal adoption experience with confronting and emotional clarity. My comments to Ra afterwards were: “They could have been my parents on that stage, the set was my family home and the script was very close to the conversations I have navigated with my family over the years. Thank you for shining a light on some of what we have to navigate and including some of the uncomfortable and confronting issues that are so covert and invisible to others, especially our families”.
K-Box is written and directed by Ra Chapman, a South Australian Korean adoptee, currently Melbourne based. This play is one of a kind and is the first to shine a bright light on the complexities and nuances of the intercountry adoptee experience in Australia and to have an intercountry adoptee as the leading protagonist. Ra wrote the play based on hers and other adoptees lived experiences of adoption. Feedback from adoptees who saw the play on Friday night was that the portrayal of the adoptee’s experience was not only relatable but a provoking and truthful representation of their own adoption experiences.
The play was about a 30+ year old Korean adoptee navigating relationships with her adoptive mother and father and was also about her journey of coming to understand the impact adoption has had in her life: how it has influenced her identity, her internal working model and sense of self and connection with her adoptive parents. It touched on many of the core themes of adoption including identity, belonging, loss and grief, race, the life-long impacts of adoption, racism, stereotypes, attachment, belonging, white privilege/white washing, ‘dangers of single stories’, family as well as how we talk about adoption issues and navigate these difficult discussions with our families. What the play did well is to explore the impacts on the adoptee and family relationships when these core issues are not understood, validated, explored, or supported. As is normal for many adoptees who begin to explore and pay attention to these issues, there can be a destabilising effect on the family relationships as the adoption ‘fairy-tale’ or ‘happy adoption’ narrative begins to come apart.
For any professionals working in the area of adoption, this play is a great resource, providing a deep and valuable insight to the dynamics, relationships, interracial experiences, and challenges intercountry adoptees have to navigate within their adoption experience and adoptive families. Of course, this was delivered extremely cleverly with the play using comedy/satire as well as emotionally intense and beautiful monologues and symbolism complimented by outstanding acting from an intimate cast of four performers.
It was powerfully delivered and received, leaving many adoptees who attended feeling emotional and unsteady but also connected, seen, and supported. Likewise, it may also leave adoptive parents feeling unsure, confronted, and curious about their role in their child’s adoption. In the end, I think it brings everyone together: adoptees and parents, opening up possibilities of how we can partner up around the adoption experience and do better for the journey of the adoptee.
Following the play, I valued the emotive speeches and other performances by adoptee’s sharing their creative work and projects. In addition the evening mentioned some other exciting adoptee led projects and creative works in development that I will be following closely with anticipation.
The main takeaway for me from the evening was the amazing way adoptees were able to come together through this event, which I think highlights the collective healing power for adoptees when surrounded by community, elevating the adoptee voice in a safe and supported way and feeling a sense of strong belonging by being seen and heard. It is great knowing that the Australian adoptee community is going strong!
I hope that we can continue having open and welcomed discussions together as a community so we all can benefit in learning from those with lived experiences especially from adoptees.
Dearest Ra, please know the powerful impact you have had and how your creative work is helping to shape all of our learning and better capacitate the adoption community in Australia.
I encourage all to see Ra Chapman’s play K-Box showing only until 18 September; adoptive parents, adoptees, adoption professionals and the broader community.
Most people assume that our adoptions are all legal and legitimate. Most people assume that adoptees want to meet their first mothers. Aimee’s story highlights the harsh reality that not all adoptions are legal and that media involvement is not always helpful or kind to the adoptee who may not even want, nor be ready, to reunite.
The worst part of Aimee’s story which isn’t shared in this video, is that even though the Taiwanese government prosecuted the traffickers responsible for her illegal adoption, to date, nothing has been offered by either the Taiwanese nor Australian governments to help Aimee in any specific way in dealing with the ongoing impacts of being illegally adopted. There is a whole cohort of Taiwanese adoptees in Australia with Aimee who were a result of the Julie Chu trafficking ring in Taiwan that was prosecuted. No-one has followed up on these adoptees to check on them, to let them know of how their adoption came about, nor to make any specific supports be made known to them.
Michelle is one of our most eloquent adoptees in the video series. She is so open and honest about the challenges and I love her courage to speak up about the topics most hidden in adoption – eating disorders and suicide attempts and what underlies these; and the struggle to find a place to belong and need to know the truth of our origins.
People who aren’t adopted too easily forget that biology does matter – seeing our biology mirrored around us, grounds us in the formation of our identity and our sense of self.
In this short talk from our video series, I love Ben’s comments about looking into his baby’s eyes and seeing himself reflected for the first time and the impact that had on him. I can certainly relate to this too as it wasn’t until I had my own children that I felt a deeper sense of security within myself – a sense of belonging that I’d never had before.
Click on the image of Ben to see his video.
Resources that speak about the importance of Genetic Mirrors:
I really love the message Meseret shares as another older aged intercountry adoptee in our video series. It provides a message for prospective parents to be respectful of the experiences and life prior to a child coming home to their new adoptive family and country. It reminds us of how difficult it is to expect an adoptee to “trust” their new family, especially when language is a barrier. It helps us be realistic about what supports a family needs when undertaking older age adoptions.
Click on the image of Meseret to listen to her share.
I can’t believe it’s been just over a year since I filmed 8 amazing people who openly shared their experience and views of life as intercountry adoptees. In the next few weeks, I want to highlight the individual videos from our video series, that help to share about the complexities of being an adoptee.
Here is Jonas who shares about his journey to find his inner peace, coming to terms with the losses, struggles, and gains from being adopted at an older age out of Haiti to Australia. It’s worth sharing especially for younger male adoptees of colour who often struggle in silence with very few role models or racial mirrors. Being adopted doesn’t always mean an endless struggle. Jonas talks about no matter how tough the journey is, it is possible to reach a place of acceptance and peace when one puts in the hard work to explore our beginnings, come to terms with our realities and find a way through.
Have a listen to Jonas share in the video by clicking on the image below.
Race and Trauma resources specific to intercountry adoption
I was really excited when I heard there was a book created by a global network of Bolivian adoptees! I LOVE that we are hearing from them because although they are not as numerous as the Colombian or Chilean cohorts of intercountry adoptees, they are part of the large numbers who have been sent out of South America as children. Their voice, like all groups of intercountry adoptees, is really important!
I thoroughly enjoyed reading Communal Histories of Displacement and Adoption. It covers a wide range of 20 Bolivian adoptee experiences sent to countries in Europe (Italy, Switzerland, Germany, Belgium, France, Netherlands, Norway), the USA and Canada. What I immediately responded to was the beautiful artwork that draws you in visually, providing a sense of the colourful, vibrant Bolivian heart and soul within these lives, despite the effects of displacement and adoption.
I feel the choice of the word “displacement” in the title is very progressive, a reflection of the wider adoptee journey of awakening. It has taken the global community of adoptees many decades to come to terms with and find our own voice about being the products of forced adoption, i.e., being removed from our countries without a choice. Adoption is something that happens to us, we had no say in the matter and not always in our best interests as some of us attest to decades on, and some of these voices include this sentiment in this book.
What I also love is that this book is funded by the Belgium Adoption Support Centre – Steunpunt Adoptie, a non-profit organisation subsidised by the Belgium government. They are mainly responsible for post adoption services and in the past few years, they support adoptees via their annual call for adoptee led projects. The Network of Bolivian adoptees twice received funding: for the first Bolivian adoptee meeting in Brussels in 2019; and then for the book in 2020. Let’s hope this encourages other countries around the world to provide funding for adoptee led projects like this anthology!
The book is a nice short read (98 pages) with a wide range of writing styles. If you have a spare hour or two and want to better understand the lived experience of Bolivian adoptee voices, I highly recommend you grab a copy!