At ICAV, we strive to elevate adoptee artists as their works can often portray what words struggle to convey. Consistent with this, at the recent 9 September K-Box Adoptee Takeover Night, Ra Chapman and myself wanted the evening to be a celebration of Australian intercountry adoptee artists. We were able to present some of their work in a printout as a ZINE which you can view here:
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Other Adoptee Artists
We’ve had some other incredible intercountry adoptee artists present their works at ICAV over the years. Here is a compilation of what has been shared. Click on the image and it will take you to their blog with artworks.
by Dan R Moen, adopted from the Philippines to the USA.
Part three of this series focuses on toxicity and its impact with grief. The black vine-like shapes represent toxicity and how it manifests itself within and around all of us. It’s depicted as an uncontrollable beast and has completely engulfed an individual. It grows and flourishes when grief isn’t addressed, resources for healing aren’t in place or utilised, and when one feels like giving up. The vine-like creature wraps itself around the other gentleman and is trying to pull him down along with the other person. He is desperately trying to grab the hanging fruit, representing hope. Loosely inspired by the mythology of Tantalus, he is just out of reach of the fruit, but the toxicity is pulling him away. Intertwined in the vines is various stressors that give the vine-like creature it’s power. Phrases like Covid-19, Trump, gun violence, Biden, divorce, and other phrases fuel this creature – and when not dealt with, allows for it to become stronger.
In the left, the arm is representing suicide; depicting how all these stressors can manifest itself into the toxicity of the vine-like creature and how it now has grown barbs. Wrapping itself around the arm of the gentleman, it cuts deep and creates unearthly pain. The blood drips and fuels the stressors on the ground, once again igniting the cycle and power of the vine-like creature.
by Dan R Moen, adopted from the Philippines to the USA. This is the 2nd of a 3 part artwork piece by Dan that explores being adopted.
One of the key things that has been an eye-opener for me is understanding what’s appropriate to say to somebody who’s grieving or going through pain.
We have failed to understand each other and to utilize tools to cultivate real empathy — not sympathy. Unfortunately, because of this, difficult conversations can cause alienating, victimizing, or gaslighting the individual. We oftentimes want to give advice or external perspectives, but oftentimes it’s unwarranted when the person is going through pain in the moment. This is in large part because we have been taught that giving advice equates to helping. Humans have a natural instinct to want to fix; the idea that anything that doesn’t fit the standard needs to be repaired and repaired quickly.
All it does is alienate the person and make them question if they have a right to feel human emotions. Without consciously doing it, this can easily come off as egotistical and one can project their own ways of dealing with life expecting the person grieving to meet that same standard — even with the best intentions at heart.
The key to really helping somebody going through grieving or troubles is to really listen and validate, validate, validate. This being said, that does not necessarily mean agreeing with the person, but it is humanizing the person and allowing them to have a place to cry, feel, and go through the emotions necessary for growth.
Be mindful of what you say to individuals when they look overwhelmed, dealing with anxiety, or going through a loss. I must remind myself this all the time. I slip up too. What you say to them can deeply impact them either positively, or unfortunately, negatively. Do not make it about yourself, and above all else…. DON’T tell them how to feel. Sometimes, remaining silent, but being an active listener, helps the other person tremendously, and phrases such as “thank you for sharing. I’m sorry you’re going through this. Please let me know if there is anything I can do to help” will help them and give them a sense that they can go to you for support.
These are reasons why we as adoptees have, on a much larger scale, so many mental health problems going on that unfortunately get undiagnosed, untreated, and invalidated. When we see crimes happening there is something more deeper going on that we don’t see. Crimes in society from stealing to murder, are symptoms of deeper and more complex needs by humanity.
Keep in mind more scars are invisible than they are visible, this means you do not know what the person is going through. There could be much more from their history and lived experience that you may never experience. What we are witnessing when someone is grieving may be rooted in something much deeper and more historical in their own lived experience. So why would we compare our lives to each other? Life is not a race to the bottom, nor a race to the top. We must be able to be like glassware. Wine glasses hold what they can hold, shot glasses hold what they can hold, and punch bowls can hold what they can hold. One cannot pour the same amount of liquid from a punch bowl in to a shot glass; it will overflow. However, people are not static, they can handle the amount of stress that a shot glass can hold, and slowly move up to a punchbowl, and then back down again.
I recently had a conversation with a wonderful friend of mine who is Indigenous, about the Native American community and how they view about giving advice:
Elders do not give advice or perspective in every situation they get an opportunity. Instead, they understand that a young person will have a different lived experience than an elder and in order to get advice, one must give each other bundles of tobacco. Tobacco is sacred in many Native Americans traditions and cultures as it is a medicine used for prayers, communication, and messages to the Spirit World. Elders will give tobacco bundles to the youth if they need advice and young people will give tobacco to elders if they need advice. This is seen as an offering gift. I absolutely admire that, and I wish people would practice this concept way more: even in therapy there are codes of conduct about giving unwarranted advice. When the phrase, “What do you think? What would you do? Do you have advice?” Is uttered, that’s the invitation. If you ask, “May I offer perspective, advice?” and they don’t want it. Don’t give it. Let the grieving person BE HUMAN.
For Dan’s 1st artwork in this series, see Grieving for the Child of the Past. For more on Dan visit his website.
In November 2021, I was asked by the Australian Department of Social Services, to source artwork by intercountry adoptees that would fit with their artwork brief for a literature review they funded reviewing the research available on Adoption and Suicide.
ICAV approached various adoptee artists known for their work by ICAV and requested if they wished to submit any pieces. Dan, a Filipino adoptee in the USA, had only weeks before just joined the ICAV network and I had seen his artwork as part of getting to know him. His artwork blew me away with its depth and intensity. So I’ve asked him to share it with you all here. Artwork is such a powerful medium to portray the adoptee lived experience! I hope you enjoy the next 3 blogs whereby we share you Dan’s incredible talent, his artwork and the meaning behind each piece.He presents to you his 3 part series, all related to being a Filipino intercountry adoptee.
by Dan R Moen, adopted from the Philippines to the USA.
This represents both my present and my past simultaneously going through emotional turmoil. The child is suggested to be naked in representation of being completely vulnerable. With both arms surrounding the adult form of themselves, the child desires nothing more than to be loved, protected, and to not feel orphaned—a real sense of belonging.
The adult, however, represents my current adult self. The old world/Victorian/Edwardian clothing represents a connection to history; the love for studying and learning from our ancestors and a passion for those who came before, and yet, completely ignoring the child in the present. The red vest represents love but is covered and not revealed by the partially closed frock coat. He is looking away from the child suggesting that there’s a disconnect. He is looking in towards the darkness knowing that the world isn’t all shiny and glorious. He too is also grieving but not fully connecting to the child. One arm is wrapped around the child suggesting there is some small connection to his past self, but the other hand is completely in the pocket suggesting that there’s a sense of standoffishness, including cognitive dissonance—needing to grow up and to move on. He is displaying the inner turmoil of accepting the idea of “that’s just life” – while simultaneously, not granting himself permission to fully mourn with the past child.
Surrounding them, there are different colors suggesting fire of meanings. The dark greens represent the forests that I visited throughout 2020 and all the secret spots that I like to go to for healing. Many of these locations were off the nature trails, and for one to visit them, they would have to trek deep into the woods to find these locations.
The red represents the blood of those who have died at the hands of bad policies, politics, racism, ignorance, and to Covid-19. As does the white, which represents the countless spirits and souls who have passed onto the next world.
The yellow represents the fire with chaos and change. There are hints of gold metallic paint suggesting the idea that there is healing within the chaos, but it depends on individuals’ perspectives. This is represented physically by the viewer as the angle that you’re looking at the painting determines the visibility of the metallic paint. So, when multiple people look at the painting at the same time, some will see the metallic paint while some will not see it, that’s the point.
Many of us, as adults, sometimes forget that the raw emotions we feel, are human, just human. No logic is needed in the moment of grief. Many of our fears, woes, and deep inner turmoil come from our past, and sometimes, we mourn our childhood – as we haven’t given ourselves permission to fully grieve and feel these raw emotions. We must give ourselves that permission; any advice from others or opinions from others will not be fulfilled if we don’t allow ourselves to feel first and validate how feel internally.
You matter too. You are #1 in life; from birth to the next world – learn to live with yourself, not by yourself.
Coming next, Dan’s 2nd art work piece Does My Perspective Matter? in his 3 part series.
To find out more about Dan and and his work, check out his website.