Longing (Someday) by Luke McQueen

von Lukas McQueen adopted from South Korea to the USA. Luke’s Sehnsucht (eines Tages) is one of 6 musical pieces created by an intercountry adoptee to be featured in ICAVs Video-Ressource für Profis.

About Me

Some people wonder why I have such a vague answer to “What’s your sign?” Here’s why. I was born somewhere in South Korea, likely near Jecheon around 1972. I was in an orphanage in Jecheon for about 1 year and adopted in 1977 to a loving family in Longmont, Colorado in the United States. Like many orphans and adoptees, I have no idea when my birthday is, hence any Zodiac sign will do. But regarding the Chinese zodiac year, I’m either a rat, pig or an ox.

My Music Journey

My earliest musical memories, lovingly captured by my family on cassette tape (kids go ahead and DuckDuckGo), include a recording of songs I learned at the orphanage. Around the age of 6 or 7, I was regularly singing in my church where my father was the pastor and I did so up until high school. I learned some classical piano (pretty much the extent of my formal training) around the age of 8 and began to compose some simple original work around the age of 10 or 11. Around 12 or 13 years old, I was given a synthesizer by a family friend and within a couple of years was able to upgrade to a real synth (the Ensoniq SQ80) with my paper route job money. I tried to impress girls but with limited success (actually, not so much though as I couldn’t overcome my insecurities and pretty serious acne). Those days I produced some amateurish creations of 80’s synthpop (better known as “music” during the actual 80’s). Speaking of, I’ve got to bring some of those songs back one of these days!

A pivotal moment in my music life came in the mid 80’s when I entered a talent competition and won based on a fairly simple composition. I beat out an extremely talented musician who played Scott Joplin’s “The Entertainer.” This sparked insight that new and created music is quite different from some of the most complex played/covered music. It was after this that I committed to making my own music — but it would be many years before I would have the maturity to listen to others, judge myself properly and have a learning mentality to be able to fashion an adequate song.

I joined the jazz choir in high school and ended up writing the baccalaureate song. It was called “Changes” and it was about as cheesy as it sounds, but continue reading and you’ll see why! Anyhow, for my prom date in my senior year, out came my trusted SQ80 with candles and fancy pants cake, and I sang my heart out. My date declined when I asked her out again after that, so I’ll let you decide how it went or what it meant :).

When I graduated high school I went to a small Christian College in Lincoln, Illinois, where I joined a music group and also formed a Christian band named “Going 2 Rock U.” And just like that, the cheese increases! There were some proud song creation moments, but no finished or polished production of anything for the public. I do remember I had one song that had Christian lyrics with a Babyface vibe. Honestly, I didn’t know how to craft decent songs, but I thought I was much better than I was, so I did not take any guidance or criticism well, however well-intended.

Nevertheless, in 1996 as a CU-Boulder student, I auditioned for Dave Grusin’s “A Westside Story” with the CU jazz band where I got a taste of world-class performers and saw possibilities in music. [record screech] However, I promptly chose the safety of a Technology Consulting career and put off this music dream for another 17 years. In 2013, I moved to Korea to search for my birth family and also decided to give music a try. As a student, I took a couple of Berklee Online classes in orchestration and jazz improvisation to hone my chops and then began performing in Seoul in various bands, formed my own band, and finally ended up as a solo artist. All along, I was learning how to play live and write a ton of songs, some of which will be on my record this November. To make ends meet, I worked various music company jobs and was given other opportunities to perform my music. A big opportunity came in 2020, when I became an artist in an independent entertainment company in Seoul. It’s true when they say “you can’t make it alone.” So I humbly take steps forward, with a lot of help from friends, musicians, fans and industry professionals, to build a lasting career as a solo artist.

What inspired Sehnsucht (eines Tages)?

Although I’ve been making music since I was in middle school, I haven’t had any songs I was ready to proudly say “this is my song.” But finally in 2013, after visiting Korea for the first time, I decided to write a song about the desire to find my birth family, specifically my birth mother. I have no memories of Korea as a child, so I imagined wandering the streets as a child and feeling the lost feeling of wanting to go home. I tapped into my own mid-life crisis where I felt my life was crippled and falling apart in so many ways–in my relationships and work, and so the feeling of escaping that and longing for the unknown helped to create lyrics. I tried variations of melodic “oohs,” deciding on the current chorus and the song was born.

A Quick Therapy Sesh

As an adoptee, I have been a combination of a chameleon, charmer, escape artist and an under-the-rug-ifier. As a child, I was decent at trying to get people to laugh and often trying to be funny, which I believe was to try and hide or deflect from my insecurity and desperate need for acceptance. Any negative feeling was avoided, unaddressed and lay dormant for many years until suddenly during mid-life, my shielding/protection from my unknown past and unprocessed feelings came back, and there was no way to hide from them anymore. I have also seen how by not addressing these issues, my self-sabotage and critical nature was eating away any opportunity and chance to succeed in music. I was certainly a mess which influenced many decisions, being in wrong relationships, and making many poor decisions for my life. Also, I have had perpetual blindness to my selfish nature, a mark of the immaturity of my character. Luckily, however, with true friends, my loving family, and by the grace of God, I have come out of all of this milieu a stronger and more confident human being. And with the realization of my selfish nature, I am able to better find the path of compassion, kindness and peace from my true loving nature. Although it will continually be a journey of learning, I believe I am more resilient than ever and now I am ready to live again, even during these challenging times of viruses, fear and lockdowns.

Has my perspective of the song changed since writing it?

Since the original writing of the song in 2013, the main thing that’s changed is my perspective on the substance of the longing. Before, I thought it was only my birth family I longed for, but now I realize it was an even deeper longing that I felt. And in 2019, this desire to connect was only truly met when I reconnected with the ultimate birth parent, God, when I became a follower of Jesus again.

Feedback I’ve received for Sehnsucht (eines Tages)

In general, I’ve only had positive feedback, but just like the varied experience of adoptees, it’s likely more complex… for many that have not searched for their birth family, the song may stir up emotions they have locked up for many years. For those who’ve found birth families, the longing can still exist, as unrealistic expectations are not met or worse. In general, I’ve only had positive feedback, however I would completely understand an aversion to Sehnsucht (eines Tages) for some adoptees who are completely avoidant of adoption-related topics. I have heard from those outside the adoption experience that this song reminds them of loved ones that have passed or whom they may be alienated from. I am blessed to have been able to produce the song and have many in your audience hear it. I hope the lyrics and music will touch their hearts as much as it touches mine.

Any new music relating to my adoption experience?

Sehnsucht (eines Tages) is the only truly adoptee-related song I’ve written. I do have a duet I co-wrote with another adoptee who is a wonderful poet and it’s called “The Other Side.” I may release it as a single in the future but it’s not yet production ready. I also had some music featured in an unreleased documentary called “My Umma” but I am not sure I will release the music for that. I do, however, have a song that will be on my debut album in November called “Disappearing” which I wrote from the perspective of a birth family hoping their adoptive child will return home, but with the passing of time, the very real prospect of a reunion diminishes. Now that I write this, this certainly sounds depressing. Hmm, maybe that’s why I have so many happy fun songs to offset and balance these songs!

I currently have a 5-song EP released, and will be releasing my 12-song debut album on 23 November 2021. If you’re interested, please check out my music, which is a mix of poppy fun, groovy and soulful tunes along with ballads like Sehnsucht (eines Tages).

So maybe I don’t have a specific “sign” I can give you, but instead I’ll give you a “song.” I hope you enjoy Sehnsucht (eines Tages).

How to find Luke McQueen


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