In November 2021, I was asked by the Australian Department of Social Services, to source artwork by intercountry adoptees that would fit with their artwork brief for a literature review they funded reviewing the research available on Adoption and Suicide.
ICAV approached various adoptee artists known for their work by ICAV and requested if they wished to submit any pieces. Dan, a Filipino adoptee in the USA, had only weeks before just joined the ICAV network and I had seen his artwork as part of getting to know him. His artwork blew me away with its depth and intensity. So I’ve asked him to share it with you all here. Artwork is such a powerful medium to portray the adoptee lived experience! I hope you enjoy the next 3 blogs whereby we share you Dan’s incredible talent, his artwork and the meaning behind each piece. He presents to you his 3 part series, all related to being a Filipino intercountry adoptee.
von Dan R. Moen, adopted from the Philippines to the USA.
This represents both my present and my past simultaneously going through emotional turmoil. The child is suggested to be naked in representation of being completely vulnerable. With both arms surrounding the adult form of themselves, the child desires nothing more than to be loved, protected, and to not feel orphaned—a real sense of belonging.
The adult, however, represents my current adult self. The old world/Victorian/Edwardian clothing represents a connection to history; the love for studying and learning from our ancestors and a passion for those who came before, and yet, completely ignoring the child in the present. The red vest represents love but is covered and not revealed by the partially closed frock coat. He is looking away from the child suggesting that there’s a disconnect. He is looking in towards the darkness knowing that the world isn’t all shiny and glorious. He too is also grieving but not fully connecting to the child. One arm is wrapped around the child suggesting there is some small connection to his past self, but the other hand is completely in the pocket suggesting that there’s a sense of standoffishness, including cognitive dissonance—needing to grow up and to move on. He is displaying the inner turmoil of accepting the idea of “that’s just life” – while simultaneously, not granting himself permission to fully mourn with the past child.
Surrounding them, there are different colors suggesting fire of meanings. The dark greens represent the forests that I visited throughout 2020 and all the secret spots that I like to go to for healing. Many of these locations were off the nature trails, and for one to visit them, they would have to trek deep into the woods to find these locations.
The red represents the blood of those who have died at the hands of bad policies, politics, racism, ignorance, and to Covid-19. As does the white, which represents the countless spirits and souls who have passed onto the next world.
The yellow represents the fire with chaos and change. There are hints of gold metallic paint suggesting the idea that there is healing within the chaos, but it depends on individuals’ perspectives. This is represented physically by the viewer as the angle that you’re looking at the painting determines the visibility of the metallic paint. So, when multiple people look at the painting at the same time, some will see the metallic paint while some will not see it, that’s the point.
Many of us, as adults, sometimes forget that the raw emotions we feel, are human, just human. No logic is needed in the moment of grief. Many of our fears, woes, and deep inner turmoil come from our past, and sometimes, we mourn our childhood – as we haven’t given ourselves permission to fully grieve and feel these raw emotions. We must give ourselves that permission; any advice from others or opinions from others will not be fulfilled if we don’t allow ourselves to feel first Und validate how feel internally.
You matter too. You are #1 in life; from birth to the next world – learn to live with yourself, not by yourself.
Coming next, Dan’s 2nd art work piece Does My Perspective Matter? in his 3 part series.
To find out more about Dan and and his work, check out his Webseite.
Eine Antwort auf „Grieving for the Child of the Past“